@solo.tänze. Clemens Gadenstätter + Rose Breuss
Saturday, 23. November 2019, 19:30
Clemens Gadenstätter © nafezrerhuf
Words are the last things needed here. Perhaps you should read this text with your eyes shut. The music of Clemens Gadenstätter is »understood« best by »listening to it, outside of the conceptual«. Or to put it in a nutshell: by »grasping« it. A violin, a bow, hands, body, touch, movement. A wind instrument, lips, oral cavity, muscle tension, articulation, lines, nuances of taste, bitter, sour, spicy. An accordion, arms, sensations, a personality, An electric guitar, effects equipment on the floor, a polyphony of four limbs, choreography, composition, combination of the possibility of the senses, ear, eye, perception of the body, touch, taste. Five portraits, self-portraits, studies for solo instruments, for special musicians, dancers, an anthropology of words.
»I see these pieces as attempts to come close to an ‹anthropology as perception of sound› – an idea that is central to my composition in recent years.« (Clemens Gadenstätter)
Artists
Yaron Deutsch,
E-Gitarre
Olivia De Prato,
Violine
Theo Nabicht,
Kontrabassklarinette
Teodoro Anzellotti,
Akkordeon
Antonio Politano,
Flöte
Damian Cortes Alberti,
Tanz
Julia Mach,
Tanz
Eszter Petrány,
Tanz
Maria Shurkhal,
Tanz
Andressa Miyazato,
Tanz
Rose Breuss,
Choreographie
Program
Clemens Gadenstätter
moved by (2012–2015)
Clemens Gadenstätter
le goût du son (2011)
Clemens Gadenstätter
studies for a portrait (2018)
Clemens Gadenstätter
studies for portraits (with M.M.d.C and M.L.) (2019) UA
Kompositionsauftrag Wien Modern
Clemens Gadenstätter
studies for imaginary portraits (2019) UA
Kompositionsauftrag Wien Modern
Remark
Produktion Wien Modern